We’ve all heard the horror stories about someone’s boss seeing drunken pics of them on Facebook and suddenly they’re out the door.

Most ppl are savvy enough to realise that you don’t put self-incriminating stuff on social media, but there’s still a lot of dross. Pics of people in their newest party dress. Tweets which are no more than niavely spreading some company’s marketing message for free. And just dross – dross that only your BFF will love, cos its either so meaningless beyond a tiny circle, or its just twaddle.

For better or worse, when its social media, you will be leaving an impression beyond your BFF. So you’ve got to turn that into an advantage rather than a threat. We’re not 16 any more and we are looking to establish our careers.

Not that you have to turn yourself into some self-marketing cypher. There’s also a lot of that around, particularly on Twitter. Everything’s great! I’m great! Got my cape and pyjamas on and I’m conquering the universe today!

When I read stuff like that I usually unfollow the culprit (after discreetly vomiting). Everything is complex, and acknowledging complexity is part of having gravitas.

I’m not saying you can’t have personality in social media. In fact, you should have. Who you are, what you’re about, your special interests. That’s how you get a following. I’m also not saying you have to be formal. Humour and informality work really well, particularly on Twitter.

Being professional on social media is about being a public personality. Thinking through the ramifications of the fact that you can’t control who reads your stuff. At the same time, not trying to hide behind ‘private’ settings. This is your life, guys. Don’t run away from it, develop it.

[A post for Networked Media at RMIT University; my image]

Jun 182010
 

Jasmine provides us with a morality tale about getting permissions for her documentary, which can be particularly tricky with some contexts. It’s a shame that some stories are not able to be told, and that we in the Media professions possibly neglect them as a result.

However, there are always other angles, and Jasmine’s project didn’t suffer in the long run.

Jun 182010
 

Interviews can be very fraught, and the doco-maker has to be prepared for it. Jasmine describes her experience with an interview that unexpectedly became very emotional. What should she do? Sounds like she handled it very well. We’ve got to be prepared for how to handle unexpected consequences of interviews – and some of this boils down to the sort of doco you want to make, and the level of personal confrontation that you are wanting to use.

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