My documentary, Cyclists versus Motorists, has gone live. As usual, I never thought it would take so long. My problem with projects is that I can’t stand doing what I know how to do. I have to try something new. Well, the new thing was the focus on video — I’m not really a video person. Or that used to be the case. But then the new thing about the new thing was I thought I should look into interactive video. Hence, the use of korsakow. I also looked at Popcorn and Klynt. What I wanted to do was combine Twitter with video. You can sort-of do it with Popcorn, but it doesn’t seem to me that it is much better than sticking the vid and the Twitter widget in ordinary old HTML. Now Popcorn is just developing, and combining vids and social media isn’t its only trick, but I do feel there’s a little bit on inventing a new circle going on (and calling it HTML 5). But hey, I’m old.

Other principles that I’ve tried to put into practice are

  • the use of domestic technology — all the imagery and some of the audio was created using my mobile phone, I used free of very cheap editing software, and the only semi-professional thing I used was a zoom audio recorder.
  • use of social media – both to recruit talent, disseminate the doco, and encourage participation
  • A focus on the community. Apart from above, I tried not to editorialise. I wanted the interviewees to speak for themselves.

You can read more about these principles, and how to make your own participatory documentary.

 

Core to any creative person, according to William Gibson, is one of these babies, see William Gibson on Cultivating a “Personal Micro-Culture”.

Just wish it wasn’t so easy to get distracted….

 

What do you want from your network? Marketing or intimate? keeping in touch with acquaintances, or broadcasting to strangers? Do you have a specific interest group, or are you engaging more broadly?

Maybe you need different networks for different you’s. Or maybe you can have one network then filter it for different you’s, like Google + circles. Tom Cortese argues Why Niche Social Networks Encourage More Meaningful Interaction.

 

my tweetsA word map of my tweets (not that I tweet that much, read on) generated by the Tweet Topic Explorer by Jeff Clark.

Twitter has 100M active members… But dig down a bit, and we find that half of Twitter accounts are inactive. Some words of warning for those new to Twitter, or those hoping to attract followers from Mark Trammell & Jesse James Garrett.

I figure that’s about right for most social media. I put a straw poll on my FB page, asking ppl to ‘like’ it if they like the Rugby World Cup (which, for me, is incomprehensible). Nobody has liked. This means one of two things:

1. none of my FBookies likes the rugby World Cup
2. few of my FBookies have read FB since I did it.

As usual, I reel in definitiveness (now there’s a word in search of abbreviation).

The nextweb reports that:

Your Twitter stream is being flooded by that tweet-happy friend who posts entirely too often for your tastes. They aren’t quite so annoying that it warrants an “unfollow”, but their updates definitely do soak up a bit of your feed and not always with stuff you want to see. Fortunately, there’s an app for that.

[Oh yes! #mpesce u r soooo close to gone!]

It’s called Shuush, a service that shrinks the font size of tweets from users who post too much down to absolute unreadability, then enlarges the updates from Twitter users who only post every so often.

Shuush is a prototype web based Twitter reader that ranks your followers on frequency of tweets. It aims to amplify the people that don’t usually get heard, and scale back those with frequent updates.

I’m a 1 out of 11 tweeter. #mpesce, u r 11/11. Not all publicity is good publicity!

[Don't you hate it when ppl put specific comments directed to other ppl in their tweets/blog posts...]

Here’s a social demographic inforgraphic of FB and Twitter users from DigitalSurgeons.com (click on to get the whole):

 

Shut up little man – an audio misadventure from Closer Productions on Vimeo.

A doco about a community. Community is anywhere, you just have to recognise it.

 

According to new data from the Pew Internet and American Life Project, Half of U.S. Adults Use Social Networking Sites - and climbing. 61% of under-30′s use FB on a daily basis,  which has 750 million users worldwide and recently surpassed 1 trillion pageviews in a single month. The trend is plotted on a graph here.

However, according to Gartner, which polled 6,295 people aged 13 to 74 years old in 11 markets:

…the social media sector appears to be reaching “maturity” in certain countries.

Overall, 24% of respondents now use their favourite social network less often than when they first joined, with members of this group typically exhibiting a more “practical” view of technology.

This includes the US, site of aforementioned Pew survey, where ’40% of consumers access the[ir preferred] site less frequently than they used to’.

I think we can safely conclude that nobody knows nothin’ about nothin’.

 

Oh, I do get a bit tired of everything coming in ‘three steps’ or ‘five ways’. Its. so. neat.

However, its great to have neat things! Easy peesy! For example, 3 Steps to Finding Your True Writing Voice from Copyblogger. Not saying it isn’t true. Or important. You’ll be happier after you do it.

 

Recently I decided to renovate myself. I’ve dumped my old blog, my old email, my old contact list and my old calendar. In one way or another, these things were all supplied by my job at RMIT University.
Now I’m freelance (at least in attitude), and I’m radically on the cloud. A lot of it is Google, but some of it, like this blog, aren’t. I’m doing more twittering, more LinkedIn, more Facebook. And because I’ve uploaded myself to Google, a lot of it is now interoperable.
Even the content of my blog has changed – it’s more personal, without being deeply private. It used to be strictly about my teaching, but that’s only a part of it now. I’ve changed my attitude to what I do online, and with that, it would seem I’ve changed myself.
I think it’s good. But who knows? Can I keep up the momentum? But I like it. I like this more poetic me, it seems more honest.
Doing this seems to validate this new me, even if nobody reads it, or nobody knows. All this stuff, all this publishing … on the surface it seems to be about communicating to other people, but maybe that’s not really important.
Oh, did I mention? I’ve got a new business card. It doesn’t say RMIT. The business card is also trying to be interoperable.
Interoperably yours, geniwate.

 

the aggressive rollerblading community goes for tight stretch jeans (see Nisa Halim’s doco), while the Melbourne Shufflers like it loose (see Mei’s doco). Seem to me, either way would work for either community, but they’ve got their look and they stick tightly to it, as both doco makers point out.

Both are great examples of what Anthony Cohen calls the Symbolic Construction of Community, which Nisa summarises:

Anthony Cohen states that the community is symbolically constructed, as a system of values, norms, and moral codes which provides a sense of identity within a bounded whole to its members. He states that community implies and creates a boundary between us and them by use of symbolism. There are many types of symbol which mark the boundaries of community – flags, badges, dances. Languages and so on. This is because symbols always carry a range of meaning whose differences can be glossed over.

Note to self: this book is on Google books

 

[previous]

Assessing globalization?

I don’t think you can neatly do this. It has lots of impacts on traditional power-bases, both negative and positive, and it also creates new types of power (see Giddens, p. 13). It has had a particularly interesting impact on media and mediated cultures (Giddens 14-15). But it doesn’t develop across the board, as Castells stresses. It does seem to work in favour of multinationals, although the grass roots is fighting back (Giddens p 16). As more cross-border relationships are developed, the nation-state seems to lose out (Giddens p 18). Giddens concludes:

We are the first generation to live in this society, whose contours we can as yet only dimly see. It is shaking up our existing ways of life, no matter where we happen to be. This is not—at least at the moment—a global order driven by collective human will. Instead, it is emerging in an anarchic, haphazard, fashion, carried along by a mixture of influences. (Giddens, p 19)

Some Issues

Globalization and identity

A traditionalist about community would say that identity derives from local community. Does it always? Consider this example from art historian Hubert Burda. In the 15th century the emerging middle class used the portrait as a means of public exposure. Burda explores the symbolic richness of Portrait of the merchant Georg Gisze by Hans Holbein, 1532:

Gisze became, as a result of this portrait, a Mercator doctus, a merchant on the cutting-edge of society at that time. He was born in Danzig, but wanted to be presented as a successful merchant on the London trading exchange in order to convey a certain image of himself to the inner circle of merchants in the City. The contracts and many other objects surrounding the merchant are meant, above all, to mark him out as an extremely credible person in money matters and a good connoisseur of world markets. This was of great importance during the period of rule of Henry VIII, since it was at this time that the first wave of globalisation was taking place.

Gisze seems to have created his identity in dialogue with proto-globalization, which he then projected onto his local community.

Globalization and community

A traditional analysis might assume that globalization is entirely negative in terms of its impact on community. However here is an example in which global communications networks help local communities. As we all know, freedom of speech in China is quite limited. However, a ‘deterritorialised Chinese subjectivity” exists outside the Chinese state; therefore Internet-based Chinese oppositional movements can operate avoiding Chinese government censorship. The “online Chinese cultural sphere” (Yang 2003, page 470) draws its audience from cultural China which includes Taiwan, Hong Kong and Singapore, other diasporas and also commentators / academics. They may have very diverse interests, but their main mode of communication is Chinese.

Chinese people are bolder and more opinionated on bulletin boards. They have found ways to avoid the censorship filters (Yang 2003, page 478). The BBS were characterized by

  • group ethos (Yang 2003, page 478)
  • high level of discussion (Yang 2003, page 479)
  • unifying themes (Yang 2003, page 479)
  • sense of community (Yang 2003, page 480)
  • issue of freedom of speech is prominent (Yang 2003, page 481)

So, asks Yang, what are the public functions of these networked associations?

  • public expression
  • civic association – eg NGO activity (Yang 2003, page 483); quick mobilisation around an issue (Yang 2003, page 484)
  • popular protest – specific protests successfully carried out (Yang 2003, page 481) eg 1998 anti ethnic violence in Indonesia. As a result, the Huaren website was established.

These spaces are globally accessible and participate in global flows of information (Yang 2003, page 484). Thus, Yang concludes, the Web can restore the critical functions of the public sphere (Yang 2003, page 485).

Glocalization

Definition of glocal/glocalization from Mooney and Evans, p 117-8 (my bold):

This term has a range of meanings, all of which revolve around the apparent paradox of the relation between global markets and processes, and local needs and nodes. As a contraction of “global” and “local,” the “glocal” refers to the increasing entanglement of these two spheres. On one level glocal can be used to designate the manner in which global products adapt or tailor themselves for local markets and sensitivities. It can also describe global or potentially global services that operate at a local level, for instant international websites that coordinate meetings (for instance dating) at a local level, and thus provide a “glocal” service. Attempts to integrate the decision-making procedures of global governance and the particularities of individual territories are also described in terms of “glocalization.” Other examples of glocal processes could include the resurgence of the range of ethnic and religious identities in direct response to the process of gloablization. These identities, which have their origin in a locality and history, are often shared by diasporas linked by telecommunications.

The glocal then, would seem another instance of the way in which globalization seems to involve an interplay between micro (individual, localities) and the macro (global forces and players) that often bypasses the mesa (states and other forms of collective representation).

One criticism of Globalism

There are many criticisms, and I’m just going to mention one—crudely, that globalisation destroys culture. In airports, culture is often reduced to global brands and tourist posters for local specialties. If it is culture at all, it is culture filtered by big business. Most of it is bland, internationalised, safe, clean and the province of the wealthy. Giddens, while not of the ‘extreme left wing skeptical school’ (a paraphrase of his own characterisation), agrees that globalization does threaten local cultural diversity.

Frederic Jameson argues that the rhetoric of globalization promoting recognition and respect for cultural difference might be undermined by globlization’s economic aspect, in which multinationals tend to dominate and a bland consumer culture emerges (p57), what may result is ‘…the worldwide Americanization or standardization of culture, the destruction of local differences, the massification of all the peoples on the planet’ (p57). Free market apologists insist that this won’t happen, instead globalization will result in the

…richness and excitement of the new free market all over the world: the increase in sheer productivity that open markets will lead to, the transcendental satisfaction that human beings have finally begun to grasp exchange, the market, and capitalism as their most fundamental human possibilities and the surest sources of freedom. (Jameson, p 58)

This argument rages in free trade agreement debates, such as the one entered into between Australia and USA a few years ago. There may be negative impacts of free trade, but you can’t stop the flow of digital information, in my opinion there’s quite a bit of ‘dead horse flogging’ surrounding it.

Conclusion: Globalisation and community

globalisation is another way in which we are forced to redefine our idea of community. No longer propped up by geography, or even the nationstate, global ‘communities’ seem bound by looser ties, and may even be very transient. However, as the documentary How Kevin Bacon cured cancer will show, the phenomenon is significant, and for those of us living in Castell’s networked society, clearly of value.

References

Bauman, Z Liquid Modernity

Delanty, (2003) Community

Giddens, A (2003). Chapter 1: ‘Globalisation’. In Runaway world. New York: Routledge, 6-19

http://digital.lib.rmit.edu.au/ereserve/notes03/cued1034/31259007027951.pdf

Yang, Guobin (2003). “The internet and the rise of a transnational Chinese cultural sphere”. Media, Culture & Society, vol 25, page 469-490.

Giddens, A (1991) Modernity and self-identity: self and society in the late modern age. Stanford, Calif.: Stanford University Press.

Mooney, A and Evans B (Eds.) (2007) Globalization: the key concepts. London: Routledge.

Jameson, F (1998). ‘Notes of globalization as a philosophical issue’, In pp54-77. Jameson, F and Miyoshi, M (Eds.) The cultures of globalization, Durham: Duke University Press.

Burda, Hubert (2006) How people see themselves http://www.edge.org/3rd_culture/burda06/burda06_index.html

How Kevin Bacon cured cancer (2008) (available in the Carlton library Av 303.4834 b128)

Lefebvre, Henri (2007) The production of space. (Trans. D. Nicholson-Smith). London: Blackwell.

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